A few weeks ago, I traded for some furniture and ended up with these two faux bamboo chairs as a part of the deal.  They are very unique chairs and I felt immediately drawn to them, but they were problematic.  The caned seat on one of them was entirely punched through and the other one was damaged and sagging. I moved them to the to-do stash and put them out of mind for a while.  As I’ve shared before, upholstery is not my favorite thing to work on and I procrastinate.  Such was the case with these. Since I don’t do caning, the best way to deal with these was to make a new seat and upholster it. They’ll be sturdier and more comfortable in the long run, anyway.  I always hold my breath a little when I sit in a caned seat.  I’m just waiting for the day when

This poor hand-me-down wing chair has been hanging out in my stash for months.  I tend to procrastinate when it comes to slipcovers and upholstery, if you haven’t figured that out, yet. I can do it, but it’s not my favorite thing.  I do it just because I like the end result and I have a hard time turning down a piece that just needs a little cosmetic love. So, I gave myself a few pep-talks and worked on this chair slipcover in doses throughout the week until it was finally finished. Here’s how it turned out… It’s a really comfy chair with a pretty shape, but the fabric was the victim of some cat claws and looked a little tired.  I made the slipcover out of my usual, antique hemp sheets. This might be one of the hardest pieces I’ve slipcovered, because of the detail on the arms.  Those were tricky!  They

…but ended up getting one anyway. It took me months to get the nerve to rip the beautiful Pierre Deux fabric off of this chair… I loved the colors, the pattern and the upholstery was done very well.  There were a couple problems with it – it didn’t work with my Farmhouse White theme for the Lucketts Spring Market and the fabric was faded at the back and a little dingy.  You don’t really notice it in the pictures, but it looked tired. It was still hard for me to rip it off, so I had Kriste start on it while I worked on something else. When I started putting the chair back together again, with pieces cut from an antique hemp sheet and ticking, I was at peace with the decision. The chair is still its pretty, Frenchy self, but it feels fresher; less fussy. I finished it off

It’s really hard to turn down free stuff, especially when it’s a curvy chair that just needs a little cosmetic work to make it special.  So, when my friend Traer brought this to my studio, asking if I’d take it off her hands, I couldn’t say no. In the flurry of activity, I didn’t get a proper picture before we stripped off the upholstery that it was wearing.   It was black tapestry with some purples, creams and green in it.  Not my thing. So, we stripped off the old upholstery (Katie and I took turns working on it) and then I sanded the glossy frame and painted it in two coats of Farmhouse White. The paint adhered really well, even without the bonding agent, so I didn’t get a lot of chipping, which I was glad for.  There is such a large contrast between the dark wood and the