
getting past the gatekeepers
When I first started oil painting in late 2017, I really didn’t have any plans for it. For a long time, I had envisioned myself painting at an easel, holding a palette, working in oils, and producing paintings I might want to hang on my walls. I didn’t even know if I would like it enough to continue beyond painting the 100 landscapes I committed to. I wanted to give it a good, honest try and see where it led. I guessed it would probably lead to a nice side hobby. I was surprised when people wanted to buy some of my earliest efforts and shocked when a few of my early still-life paintings were licensed for reproduction. It helped tremendously that I already had an established customer base and a licensing agent for design work. That gave me a big leg up. But what I’ve come to appreciate even









